Category: Book Reviews


English: A fragment from an engraving reproduc...

English: A fragment from an engraving reproduced in “The Complete Encyclopedia of Illustration”, by J. G. Heck, Gramercy Books, NY, 1979. All material in this book is entirely copyright-free, having origins prior to 1851. Citation on cover: “A treasure trove of almost 12,000 illustrations, copyright-free and clearly reproducible.” (Photo credit: Wikipedia)

I found this little book, How To Make Books,  while researching various forms of chapbooks on YouTube.  A quirky, funkily-illustrated book showing you several ways to produce your own books, greeting cards, scrap books, poetry collection – you name it. Anything you might want to publish by hand can be found here.

I bought this to learn about creating my own poetry books – otherwise known as chapbooks – for publication for fun. I especially found Chapter 1 a treasure trove, how to make “Instant Books.”  And just as a good creative book should, it inspired me to think of other ideas. In this case – BROCHURES for my violin teaching biz.

There are also some interesting future project ideas: journals,  accordians, pamphlets, and books with a variety of bindings: stab-stitched and long-stitched, for example.

If you love printed material, you’ll find How To Make Books fascinating.

Disclaimer – I have no stake in or compensation from this book or any I review.

English: Portrait by Benjamin D. Maxham (dague...

English: Portrait by Benjamin D. Maxham (daguerreotype), black and white of Henry David Thoreau in June 1856. The writer-collar post a beard and is dressed in a black frock coat, a white shirt and a black bow tie. Français : Portrait par Benjamin D. Maxham (daguerréotype), en noir et blanc de Henry David Thoreau, en juin 1856. L’écrivain poste une barbe-collier et est habillé d’une redingote noire, d’une chemise blanche et d’un noeud papillon noir. (Photo credit: Wikipedia)

I’ve completed Oroonoko, this month’s 100 Novels read. If you find the reading slow-going, maybe pedantic, my advice is to stick with it. As I mentioned in my previous entry, this novel was written by an English author, based upon her own experiences in the life of a plantation family during 17th century English colonialization.

While Oroonoko was a prince in his native land, his trusting nature landed him aboard a slave ship. He did find favor with his owners, and was treated more humanely than most slaves, but this conveys to  the reader a sense of contrast between a relatively good life as a slave versus “normal” living conditions of slavery.

Behn‘s novel is a study of what happens when an altruistic culture crosses paths with European culture. She writes:

And ’tis most evident and plain that simple Nature is the most harmless, inoffensive, and virtuous mistress. ‘Tis she alone, if she were permitted, that better instructs the world than all the inventions of man. Religion would here but destroy that tranquillity they possess by ignorance; and laws would but teach them to know offense, of which now they have no notion.

It is his naivete which allows Oroonoko’s fall into entrapment, to slavery, to his distruction.

In the end, his situation forces him to make heart-wrenching and tragic decisions involving his beloved wife and unborn child.

It is impossible to read this book without feeling the the emotional and physical wounds inflicted on Oroonoko.

As one who has embraced Henry David Thoreau‘s philosophies from a young age, Oroonoko reiterates for me a pattern evident through the ages: the destruction of altruistic cultures with high moral standards by those cultures which conquer with brute force and short-sighted greed.  Thoreau’s philosophical cornerstone regarded the wisdom we should seek from Nature alone.

All Giza Pyramids in one shot. Русский: Все пи...

All Giza Pyramids in one shot. Русский: Все пирамиды Гизы на изображении. Español: Las Pirámides de Guiza (Egipto). Français : Les Pyramides de Gizeh (Egypte). Català: Les Piràmides de Giza, a Egipte. (Photo credit: Wikipedia)

The Third Gate is a thriller – my favorite genre – set in Egypt in the middle of nowhere, a place called the Sudd in the Nile. That’s right – in the Nile. An obsessed researcher has funded an expedition to find the tomb of Egypt’s first pharoah.

On board this floating research center are the best scientists and technicians money can buy. Of course, there are the requisite personality quirks and conflicting goals. All appear to want what the boss wants, but we learn that isn’t the case. Of course not; there would be no story otherwise, right?

Is the ongoing odd occurrences sabotage, or the Curse of Narmer?

Jeremy Stone, our protagonist, is on the scene to figure out what’s behind it all. He is an enigmologist, an expert in the paranormal and supernatural. In spite of his job, he is thankfully not woo-woo as you’d expect.

As when reading all thrillers, I deconstructed it mentally. I noted Child’s choice of one-syllable punchy words and names for threats – the Maw, the Sudd. Sections of the floating facility are divided according to function, with punchy , no-nonsense names like White, Red, Green, Blue, etc. The enigmas surrounding this tomb relative to “typical” Egyptian tombs make the reader wonder just what is going on here. Child teases the reader with precursors; things  just aren’t right.

I must mention (maybe I’m getting old) that I appreciate the lack of sexual situations in the novel. Far too many novelists rely on them to hook the reader and keep him/her glued to the story.

A very good read. I give it FOUR STARS out of five. It didn’t keep me up at night. I think Child could have played up the isolation more. The reader and characters know they’re in the middle of nowhere. Too bad there wasn’t a character or two who were really spooked about it.

THAT might mave kept me up at night. 

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